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      <image:caption>MAX: Media Art Xploration</image:caption>
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    <loc>https://www.kaymatschullat.com/carson-mccullers</loc>
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    <lastmod>2020-02-10</lastmod>
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    <lastmod>2020-02-21</lastmod>
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      <image:caption>Culminating thesis production at New York University MFA Theater program.</image:caption>
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    <loc>https://www.kaymatschullat.com/the-aeneid</loc>
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    <lastmod>2020-02-21</lastmod>
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      <image:title>The Aeneid</image:title>
      <image:caption>THE AENEID finds its inspiration in the young idealists who initiated the Arab Spring. Aeneas' timeless challenges echo the yearning and trauma across the globe today, embodying the tragedy and the hope of our moment. This is a modern, progressive retelling of the Virgil epic, with rebellious, punk-rock sensibilities</image:caption>
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    <lastmod>2020-02-17</lastmod>
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    <lastmod>2020-02-21</lastmod>
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      <image:title>Threepenny Opera</image:title>
      <image:caption>A production by Queens College’s Drama, Theatre &amp; Dance department has captured the uproarious fun of Bertolt Brecht and Kurt Weill’s work, “The Threepenny Opera,” written in 1928 Germany, just as fascism was starting to bear its teeth. Famously, it challenged the definition of opera. This production, directed by Kay Matschullat, grabs hold of the musical’s gritty spirit and adds a dash of the vice-riddled wickedness of the ’80s, when “society’s safety nets had holes as big as today’s ozone layer,” Matschullat writes. During the show’s opening rendition of the classic “Mack the Knife,” the whole cast, a mishmash of those draped in Victorian-era garb and punks littered with tattoos and cocaine residue, comes on stage. The juxtaposition is fascinating. The decision to re-examine “Threepenny” in this way presents how strife among lower classes has reoccurred throughout history. -Cristina Schreil , Queen’s Chronicle</image:caption>
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    <lastmod>2020-02-17</lastmod>
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    <lastmod>2020-02-21</lastmod>
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      <image:title>We Chose to Go to the Moon</image:title>
      <image:caption>In celebration of the 50th anniversary of Apollo 11’s launch and lunar landing, John Monsky creates an entirely new kind of storytelling with musical classics from the era, iconic media, and first-person narratives of the Apollo program and its heroes. Featuring the Orchestra of St. Luke’s and Broadway vocalists.</image:caption>
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    <lastmod>2020-02-17</lastmod>
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      <image:title>Vietnam War: At Home and Abroad</image:title>
      <image:caption>Speaker John Monsky with vocalists Shonica Gooden, Crystal Kellogg, Kelvin Moon Loh, Justin Sargent</image:caption>
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    <lastmod>2020-02-21</lastmod>
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      <image:title>Margaret: A Tyger's Heart</image:title>
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      <image:title>Margaret: A Tyger's Heart</image:title>
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    <loc>https://www.kaymatschullat.com/max</loc>
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    <lastmod>2020-02-21</lastmod>
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      <image:title>MAX: Media Art Xploration - ABOUT MAX</image:title>
      <image:caption>MAX produces and presents live arts that interrogate the scientific innovations and technological changes of our times. We explore with artists and scientists how light-speed advances impact our lives and our planet. We create shared experiences to spark curiosity, wonder, and critical thinking. in order to forge a more informed democracy and inspire a better future. In 2019, MAX’s first year of programming, we worked with over 100 artists and scientists to bring 25 performances, 10 presentations, and 5 museum installations to over 10,000 audience members across 3 cities in partnership with 7 premiere venues including The Exploratorium, Carnegie Hall, and the Norton Museum. Explore more on the MAX website, here.</image:caption>
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